Cyprus’ Eurovision representative Antigone Buxton is standing firm against criticism of her music video for the song Jalla, emphasising her commitment to showcasing the Cypriot dialect and identity on an international platform.
- Amidst the controversy, CyBC remains optimistic, arguing that the strong online response to Jalla indicates that the entry is resonating with international audiences.
In a recent interview with CyBC, Buxton expressed that she is unfazed by the backlash surrounding the visuals of her entry, stating, “Everyone says really nice things. They love the song and I’m very grateful.” This positive feedback includes numerous fan-made dance videos that celebrate her work.
Despite the divided opinions on the video, which has been scrutinised for its imagery, Buxton maintains that the essence of the song remains intact. “I didn’t care about the negative comments because I like it. We answer in the song itself. ‘Let them talk’, that’s it,” she remarked, highlighting her disregard for detractors.
The inclusion of the Cypriot dialect in her performance has been a personal mission for her. “Before I even went to Eurovision, I always said that if I go, I want to do something Cypriot,” Buxton noted. “I wanted to show a little bit of the dialect we have here. I’m very happy that it’s going well and that they chose me.”
Her comments come as Cyprus engages in a heated public debate about its Eurovision entry for 2026. Some public figures have expressed discontent, claiming that the video clip presents an inappropriate image of the country abroad. Earlier this month, a significant number of academics, artists, and former officials signed an open letter urging CyBC to withdraw both the song and the video, labelling them as “insulting” and raising concerns over scenes depicting dangerous road behaviour.
Particularly contentious was footage showing youths performing wheelies on mopeds, which critics deemed especially problematic. In response, CyBC’s director-general Thanasis Tsokos defended the broadcaster’s approach, describing Jalla as “a highly professional production” that aligns with a strategy of outward engagement. “Some will like the song, and some will not, that is natural,” he admitted, reiterating the importance of Cyprus presenting itself with dignity.
Tsokos also confirmed that aspects of the video that did not adhere to road safety principles would be removed, and a revised version would be shared by the European Broadcasting Union. He clarified that the selection process for both the song and the artist involved collaboration with record companies and an expert committee, ensuring a structured approach.
On the topic of funding, he explained that Eurovision participation falls within CyBC’s existing budget, with production costs shared with the collaborating record company. As the anticipation builds for the competition, Buxton also weighed in on Greece’s Eurovision entry, Ferto, performed by Akyla. “I think both Greece and Cyprus will do very well,” she predicted, expressing enthusiasm for the upcoming performances. “His song has stuck with me. I sing it often.”
Amidst the controversy, CyBC remains optimistic, arguing that the strong online response to Jalla indicates that the entry is resonating with international audiences.
